Play fest: Disappearing on a Friday
How to disappear completely and never be found was a first for me for two reasons: 1. Because it was the first time I’d used my membership to the Southwark Playhouse, which Russian Gal and Music Man kindly gave me for my birthday, and 2. Because it was the first time I’d gone to see a play on my own.
The former of these firsts meant I had a free ticket and discounted drink. All fab. The latter was interesting. I didn’t feel lonely which I thought I might but I did wonder if I was technically drinking alone during the interval and if that was a bad thing and also, I missed having someone to discuss the play with.
Which was a shame because it was great and I’d have loved to share the experience. But then I’m glad, because it was great, and I don’t think I could have fit it in if I’d tried to match anyone else’s schedule. So all in all, good decision.
The play caught my imagination from the first few lines (of dialogue not coke, although there’s plenty of both) and carried my attention throughout - drawing sympathy, amusement and despair along the way.
The small cast were all excellent, the plot and the script was exciting and thought-provoking, and the atmosphere within the audience was really good too.
In fact the only problem I had all evening was the fact that the venue gets quite cold. Since we’re not properly into winter yet I’ve made a mental note to wear layers for anything I see there in the next few months. Oh and I rather wish there’d been a programme or at least a cast sheet since I’m now bound to see the actors again and wonder where I’d seen them before. And in four cases, I’m wondering where I have already seen them.
But these are such small quibbles. It really was a superb evening.